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Boris Graffiti



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First world ART SEX TOY. Dildo created by Boris Hoppek and Fun Factory

Boris Hoppek (born 1970, in Kreuztal) is a German contemporary artist based in Barcelona. His artistic roots lie in graffiti, but today his work spans painting, photography, video, sculpture and installation art. His work has been used in advertising campaigns as well.

Hoppek's trademark is a symmetric oval, which appears in most of his work either alone or in a constellation of three, thus forming a face. He is the creator of The C'Mons, a fictional rock band at the centre of a viral marketing campaign for the fourth-generation Opel Corsa car. In 2010 he was named as one of the leading figures in urban art by Patrick Nguyen in his book Beyond the Street.[1]

Early years[edit]

Boris Hoppek was born in the small village of Kreuztal, Germany, in 1970. He grew up in what he describes as a 'hippie community',[2] where he tried marijuana before he could walk and frequently skipped school. Already at the age of eleven he got his first computer, a Commodore VIC-20, and as teenager he took up photography and videomaking. Hoppek studied to be a tracer and successfully escaped the military draft in Germany by dodging the medical examinations.[3] After being rejected from the Kunstakademie Düsseldorf, Hoppek instead turned to street art.

Work[edit]

Graffiti[edit]

Hoppek started writing graffiti in 1990, under the name Forty. In 1995 and 1996 he started exhibiting his work in cafés, a bank and the university library in the small town of Siegen, where he was living at the time. Hoppek later moved to Cologne and later to Berlin, where he established contacts to the local graffiti scene. Between 1993 and 2001 he was featured in several books about street art by the German writer Bernhard van Treeck.[4][5][6][7] Hoppek paints less graffiti in cities nowadays, mainly due to increased police pressure, and focusses on graffiti in rural areas. However, he continues to produce murals. In January 2010 Hoppek created a site-specific mural for the Museum of Contemporary Art in Rome, MACRO Future.[8] Recuva for mac download free.

Boris

Breakthrough[edit]

In 2003, Hoppek left Berlin for Barcelona, Spain, which at the time attracted street artists from all over the world. There, he established a connection with Iguapop, the art gallery that was becoming the centre of the lowbrow and street art scene in Barcelona. In 2003, Iguapop hosted his first solo exhibition in Barcelona, called Sexo Extra Ordinario Ahora.[9] Hoppek also became part of the ROJO network and collaborated with other Barcelona-based artists, including Miss Van. In 2006 Hoppek built a huge architectural structure from cardboard at the Bread & Butter fashion fair in Barcelona, one of his first such constructions and the basis for several similar projects over the following years, like a cardboard church front built for the 2010 edition of the Swab art fair in Barcelona.

Tutorials

The C'Mons[edit]

Boris Graffiti For Corel

In 2005 Hoppek was approached by the advertising company DLKW, who wanted to create an advertising campaign for the Opel Corsa based on his own Bimbo dolls. For the campaign Hoppek created a new set of dolls, using elliptic instead of oval shapes in order to differentiate the new characters from the Bimbo dolls.[1] The result are The C'Mons, Hoppek's fictional rock band that has been featured Europe-wide in TV, online and print ads since 2006. Moreover, together with other artists he was invited to redesign the Park Hotel in Copenhagen for the Volkswagen Fox.[10]

Lavagina[edit]

Hoppek produces an irregular publication called Lavagina, an ironic take on a sex magazine. It started out as a catalogue for a 2007 exhibition at Heliumcowboy artspace in Hamburg, and has since evolved into a magazine featuring principally (but not exclusively) his own visual work and writing by others. Contributors include Dave the Chimp, two points studio and Andrew Losowsky.

86 Negritos[edit]

In 2007 the town of Cádiz, in Andalusia, invited Hoppek to take over the Baluarte de la Candelaria cultural centre, located in an old fortress, for an exhibition. Hoppek turned it into an artistic protest highlighting the plight of illegal immigrants from the African continent. The exhibition included a boat filled with black men floating in the sea, imitating the rickety vessels often used by human traffickers, and interactive installations like a 'Shoot the black' shooting range and a punching ball. The exhibition ended with a workshop for kids and was widely covered by Spanish media.[11][12][13] It was eventually turned into an eponymous book published by Iguapop.

Pictoplasma[edit]

Boris Hoppek has strong ties to the Pictoplasma character design festival. He participated in Pictoplasma 1 and designed the poster for Pictoplasma 3, which took place in Berlin in 2009 and at which he was also listed as a speaker, although he never gave a talk himself.[14]

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Selected solo exhibitions[edit]

  • “Ever”, Diesel Gallery, Tokyo, Japan (2010)
  • “The Hip”, Room 26, Rome, Italy (2010)
  • “Group Love”, MACRO Future, Rome, Italy (2010)
  • “Since 1989”, Since upian artspace, Paris, France (2009)
  • “Popo”, heliumcowboy artspace, Hamburg, Germany (2009)
  • “Fragil”, Iguapop Gallery, Barcelona, Spain (2008)
  • “Mascherare”, Rojo artspace, Milan, Italy (2008)
  • “86 Negritos”, Baluarte de la Candelaria, Cádiz, España (2007)
  • “I wonʼt fuck with you tonight”, heliumcowboy artspace, Hamburg, Germany (2007)
  • “Black Baby” Kubrick gallery, Las Palmas de Gran Canaria, Spain (2007)
  • Cardboard city installation, Bread and Butter Fashion Fair, Barcelona, Spain (2006)
  • “Boris Hoppek and Sancho Panza”, MAGMA gallery, Manchester, UK (2005)

Selected group exhibitions[edit]

  • Pictoplasma Festival, Berlin, Germany (2009)
  • “True Self”, Jonathan LeVine Gallery, New York City, USA (2009)
  • “Apocalypse Wow!”, MACRO Future, Rome, Italy (2009)
  • “Das Herz von St. Pauli”, Iguapop Gallery, Barcelona, Spain (2009)
  • “no new enemies”, Le Botanique, Brussels, Belgium (2008)
  • “We love Asbaek”, Rojo artspace, Copenhagen, Denmark (2008)
  • Fumetto International Comix Festival, Switzerland (2008)
  • “Urban Superstars”, Museo D‘Arte Contemporanea Donna Regina, Naples, Italy (2008)
  • Project FOX, Copenhagen, Denmark (2005)
  • ROJO.gold collective, Stay Gold Gallery, San Francisco, USA (2005)
  • Doodlebug street art festival, Manchester and London, UK (2004)
  • 'Xmas Panic', Galerie Revolver, Düsseldorf, Germany (2003)

Publications[edit]

  • Boris Hoppek, 86 Negritos. Iguapop, 2008.
  • Boris Hoppek, Tranquilo. ROJO, 2007 (ISSN 1696-1692)
  • Boris Hoppek y Sancho Panza. Die Gestalten, 2005. ISBN978-3-89955-073-3

References[edit]

  1. ^ abPatrick Nguyen & Stuart Mackenzie, Beyond the Street: The 100 Leading Figures in Urban Art, Die Gestalten Verlag, 2010. ISBN978-3-89955-290-4
  2. ^'Shift | People | Boris Hoppek'. Shift.jp.org. 12 July 2010. Retrieved 20 January 2012.CS1 maint: discouraged parameter (link)
  3. ^http://www.underspray.com/hoppek.html
  4. ^Bernhard van Treeck: Wandzeichnungen. Edition aragon, Moers 1995, ISBN3-89535-424-4
  5. ^Bernhard van Treeck: Street Art Köln. Edition Aragon (Deutschland) 1996, ISBN3-89535-434-1
  6. ^Bernhard van Treeck: Street Art Berlin. Schwarzkopf und Schwarzkopf, Berlin 1999, ISBN3-89602-191-5
  7. ^Bernhard van Treeck: Das große Graffiti-Lexikon. Lexikon-Imprint-Verlag, Berlin 2001, ISBN3-89602-292-X
  8. ^Friday (22 January 2010). 'boris hoppek – Full service – Group Love . MACRO Future . Rome'. Borishoppek.de. Retrieved 20 January 2012.CS1 maint: discouraged parameter (link)
  9. ^[1]
  10. ^Fuchs, Christian (12 October 2008). 'Street Art Sell Out: 'Guerilla' Advertising Masquerades as Graffiti'. Der Spiegel. Retrieved 29 July 2010.CS1 maint: discouraged parameter (link)
  11. ^'86 negritos contra el racismo y el drama de la inmigración · ELPAÍS.com'. Elpais.com. Retrieved 20 January 2012.CS1 maint: discouraged parameter (link)
  12. ^Cádiz. 'Boris Hoppek inaugura en Cádiz la exposición '86 negritos' – 20minutos.es – El medio social'. 20minutos.es. Retrieved 20 January 2012.CS1 maint: discouraged parameter (link)
  13. ^'Guia de turismo, ocio y cultura de la provincia de Cadiz | Guía de Cádiz'. Guiadecadiz.com. Retrieved 20 January 2012.CS1 maint: discouraged parameter (link)
  14. ^'Boris Hoppek | Pictoplasma | Prepare for Pictopia!'. Pictopia.festival.pictoplasma.com. Retrieved 20 January 2012.CS1 maint: discouraged parameter (link)

External links[edit]

Retrieved from 'https://en.wikipedia.org/w/index.php?title=Boris_Hoppek&oldid=973514058'

Boris FX, the folks who develop integrated graphics and effects technology, are now shipping Boris Graffiti 2.0, an upgrade to their graphics and titling application, and the only integrated vector-based titling package on the market that supports Apple Final Cut Pro, Adobe After Effects, and Adobe Premiere, among others.

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Version 2.0, original slated for release in late 2001, is compatible with both Mac OS 9 and Mac OS X (version 10.1 and higher). Its vector tools allow easy creation of sophisticated animations such as text on path, with exceptional sharpness, he added. Along with animation tools such as Type On and Title Containers for auto-animated rolls, crawls, fades, shuffles and zooms, Graffiti 2.0 allows users to map text to 3D shapes, and extrude and composite in three dimensions. Graffiti 2.0 also supports the addition of third-party Adobe After Effects filters.

Graffiti 2.0’s Vector Text feature offers “razor-sharp clarity at any scale, as well as the ability to export animations to Flash, according to Boris Yamnitsky, company founder and president. It sports expanded title animation capabilities that let you animate both the path shape and the text position for Text on Path over time. “Type On” features one click type-on animation of progressively applied skew, tumble, spin, rotate, scale, opacity, and position to a text page, alone or in combination, so individual characters can fly/spin/fade/zoom/shuffle on or off the screen.

Third party plug-ins developed for Adobe After Effects can now be used with all NLE systems supported by Boris Graffiti 2.0. They appear in the Boris Graffiti Filters menu, and behave like any other Boris filters.

Version 2.0’s beefed up 3D power includes a number of preset materials (such as gold, aluminum, copper, glass, and plastic), as well as an Advanced Materials options for creating custom settings for reflectivity, transparency, specularity, color and more. Also new is the full control over reflection and texture maps, 3D lights, and multiple cameras per scene — any of which may animate Pan, Orbit, or Position.

Graffiti’s Natural Media includes procedural Wood, Wood Plank, Fractal Noise, Marble, Granite, Fabric, Reptilian and Random Color. You can apply Natural Media as realistic surfaces for 2D and 3D text, or animate them to create organic backgrounds, Yamnitsky said.

Compositing tools include 27 Apply modes for each layer in Boris Graffiti, motion blur, advanced particle filters, and Smart View to dynamically update views of animated parameters in the timeline. The Audio Import and Playback scratch audio track includes timeline waveform display and level controls designed to enable easier reference and synchronization during effect animation design. Graffiti 2.0 supports realtime playback of scrub audio, and sync audio during “Preview to RAM.”

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Adobe photoshop full version free for mac. There are also performance improvements. Open GL and dual processor support on both Mac and Windows systems means faster effects creation and faster rendering, Yamnitsky. Graffiti 2.0 also boasts Altivec enhancement on Mac G4 machines.

Boris Graffiti Pinnacle

The pro version of Graffiti 2.0 supports all Boris Graffiti hosts and adds support for Avid Xpress, Avid Xpress DV, Avid Media Composer, Avid Symphony, Discreet edit, Fast silver, Media 100 i, and Media 100 iFINISH. The newest versions are now available at a manufacturers suggested retail price of US $495. Boris Graffiti Professional 2.0 has an MSRP of $995. Upgrades from previous versions of Graffiti are $199.